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The Author
The person behind the trilogy, and the story behind the story.
Author photo coming soon
Sotiris grew up on two things: Greek myths and science fiction. His grandmother told him stories about Odysseus before he could read, and he watched Star Wars before he could spell "galaxy." The Ulysses Universe is what happens when you spend 20 years wondering what those two worlds would look like combined.
The trilogy started as a question: what if the Greek gods weren't supernatural beings but artificial intelligence? What if Poseidon didn't send storms - he corrupted your navigation data? What if the wine-dark sea was the void between stars?
Three books and 129,000 words later, the answer turned out to be bigger than expected. The Ulysses Universe isn't just a retelling of the Odyssey. It's a story about what it means to come home when home doesn't recognise you anymore. About a father and son learning to trust each other across impossible distances. About an AI companion who quotes human idioms at broken machinery because encouragement is the only tool she has left.
Sotiris writes from London. When he's not building fictional worlds, he's probably arguing about the correct pronunciation of "scone."
Homer's Odyssey is about the journey home. That's it. Strip away the cyclops and the sirens and the gods meddling in mortal affairs, and you've got a man who wants to see his family again.
That's a universal story. It works in ancient Greece. It works in modern London. And it works in the cold, indifferent expanse of deep space - maybe better than anywhere else. Because space doesn't care if you make it home. There's no current to carry you, no wind to fill your sails. Just physics, failing systems, and the stubbornness to keep going.
The Ulysses Universe takes Homer's framework and rebuilds it. Gods become AI networks. The Mediterranean becomes a vast sector of contested space called the Void. Odysseus becomes Admiral Ulysses Theron - blinded in one eye, cursed by a vindictive AI god, and desperately trying to get 120 souls home on a ship that's held together by luck and duct tape.
The characters aren't carbon copies. Telemachus isn't just a dutiful son - he's an empath who can feel other people's emotions and it's destroying him. Penelope isn't waiting passively - she's fighting a political war against the Suitors who want to seize Ithaca Station. Echo isn't a faithful dog - she's a robot who understands humanity better than most humans do.
Every adaptation changes the original. This one doesn't pretend otherwise. But the heart is the same. Always the heart.
Adaptation rights, licensing enquiries, and partnerships.
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